Joe satrianis guitar setup

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During the early 90s, the collaboration with Larry DiMarzio began in parallel with Ibanez, which remains as relevant today as it did back in the day, it is considered one of the longest collaborations of a musician with a company. The body is made of basswood with a white finish and chrome hardware, headstock for the first time have JS signature, the bridge is an Edge in a series made between and , and the Lo Pro Edge made between and The neck is made of one-piece maple wood with a rosewood fingerboard, and 22 frets, sporting PAF, FRED, and an additional split single-coil pickup this was the most ambitious creation made by Ibanez back then.

The basswood body is a double-cutaway, the bridge features an Edge tremolo, a one-piece maple neck, a rosewood fingerboard with 22 frets, and pearl dot inlays. The problem was of course the chrome plating of the guitar body had numerous problems that affected the rest of the parts and thus the sound of it as a whole.

Satriani was very invested in the making of this guitar, his persistence was such, that eventually, Ibanez became determined to explore and invest themselves in their partnership with Joe.

This model Joe did use only shortly in the 90s, but the story is very important because finally in the famous Chrome Boy came out with the initial specs that were meant for this prototype. Presented to the world in , this is also the second attempt of the manufacturer to make a chrome guitar after the first series in The blueprints for this JS model started right after the very first model was issued to Satriani with the only difference being the chrome plating process and a slightly changed body following the first series.

The body is a double-cutaway made of a special material, which is a synthetic replacement for wood giving it a more than peculiar and unique feel. A total of models were made in the second series. An interesting fact is that although there are officially models with serial numbers, there is also one guitar that had problems with the quality of sound production, so another one was made, but the manufacturer forgot to imprint the serial number. This guitar is known as serial This guitar is very rare today as only models have been made.

Joe himself owns 3 models today that he used for a three-year period back in the 90s. Nowadays and as his signature models are always evolving, Joe retired this guitar to his personal collection and eventual touring. Alike the previous guitars from this line its finish and artwork were designed by his sister Joan, with the bare difference of its Lo-Pro Edge.

The body is the same as basswood with 22 frets and a maple neck. The last modified JS1, the number five. This particular axe carries the same hardware as the JS3 with its Lo-Edge tremolo system.

This is also the first hardtail model with the Gotoh GTC bridge. For the first time, Ibanez changed the material in the JS series for mahogany wood with a very characteristic finish that looks like stained oil, after which it got its unofficial name.

Apart from the new guitar body material, everything else is the same in terms of specs: PAF Pro and FRED pickups, maple wood neck, with a rosewood fingerboard. It is quite rare today because models were made in just two years of production so that in the JS6 was replaced by the JS This model started production back in , and it was designed by Joe with a few extra tweaks for specific songs, this is in fact the reason that keeps this tool around in his rig.

Although a rarity during live performances, Satriani keeps it around for very specific solos and uses. Joe is a big perfectionist and eccentric when it comes to his signature models, so in collaboration with Ibanez back in , a specially designed JS2K PLT was made to surprisingly pass the test. Then you will have access to two different delays whenever you want them.

This pedal was designed to allow you to run up to three delays at the same time from one pedal. If you like the idea of stacking different delays together, this is a solid choice. This means he wants a chorus pedal that allows him to dial down the mix or depth.

Choosing a chorus pedal with mix and depth knobs is a great way to set the ideal chorus level for your needs. Too much chorus sounds cheesy but a subtle use can greatly enhance a clean tone.

This is something I discuss in my Guitar Effects Course and you can hear examples of chorus set to different levels and how it can either enhance the tone or completely destroy it. Make sure you experiment with the pedal to find the right settings for you.

Read my full review of the Pedal Power 2 Plus here for more details. Alternatively, you can use individual power supplies if you only have a couple of pedals or you can daisy chain your pedals as explained here. The way you set up your pedals and how you use them is just as important as buying the right pedals. The following guides, lessons, and course will help you get closer to a Satriani tone and get the most out of the gear you use.

Take your time learning how Satriani uses his gear and it will help you develop a better understanding of his music. Many of his songs were inspired by the effects and gear he uses, so take some time to experiment with the gear covered in this guide. Table of Contents show. Related Guides and Lessons:. How to Use a Whammy Pedal. Article Name. Find out what guitars, amps, and pedals Joe Satriani uses to create his iconic tone.

If you want to start jamming with some Joe Satriani songs, this guide will covers everything you need. Aaron Matthies. For example, you will find him playing his tours using Joe Satriani signature model picks.

Same goes for guitar straps. It's not that he's trying to sell this stuff by using it. On the contrary, he designed all of his signature products in a way that fits him the best. Finally, let's talk strings.

Satriani is a huge D'Addario fan. On any given day you will most likely see D'Addario EXL electric guitar strings on all of his axes. Satriani's tone is among the most desired ones in the world. A lot of guitar players are trying to nail down the same color of tone he achieves, but only a handful actually succeeds. As you might imagine, the extensive list of equipment Satriani uses has a lot to do with it.

The best way to start is to get one of his Ibanez signature models. The rest can be built piece by piece. He is set to release his own Marshall signature amps which should, in theory, bring the same sound he used before switching to Peavey.

Maybe even better. If you are really trying to copy Satriani's tone, these two items should be on top of your list. With that said, a lot of one's sound comes from the way that guitarist plays guitar.